![]() “I’d had it in my mind since the mid-’90s when I heard Carl Craig and Claude Young’s instalments, so when it came around, I just got lost in it all properly.” You can hear that love and dedication come through in the seamless transitions, and the way in which certain sounds or ideas recur. “This mix was a real labour of love,” he says. Putting together this latest ‘DJ-KiCKS’, Woolford looked back to early editions, which sparked his imagination when they were first released. The 2012 mix ‘The Lab 04’, released under his own name, similarly darted between house, techno and IDM, using tracks by Shed, Mr Beatnick and Aphex Twin, while 2017’s ‘FABRICLIVE 91’ found ways of knitting together techstep, industrial and electro perfectly, in a manner few others would even attempt. The variety of styles on this mix is in line with Woolford’s diverse output, and especially his previous mix compilations. ![]() The final track is a beatless Special Request collaboration with 96 Back, with addictive Oberheim bass and a brooding atmosphere, suggesting things unresolved. Blissfully melodic remixes of Tim Reaper shape-shift into Amen powered, screw-face Reese bass workouts. A second μ-Ziq track, ‘Twangle Frent’, is transformed into a hyper emotional roller, its circuitous bleeps spinning over kinetic breaks, while Galaxian’s ‘Glasgow To Detroit’ becomes a hyperactive tempo bridge to faster material. To kick off the final segment, he gives FC Kahuna’s chill-out classic ‘Hayling’ the Special Request treatment, accompanying its amniotic pad tones with chopped-up jungle breaks. Classic Virgo house track ‘R U Hot Enough?’ gets a spin, before we’re immersed in archetypal IDM classic ‘De- Orbit’ by Speedy J, with its rolling break and interlaced bleeps and melodies, and AceMo’s 2020 bassline-driven gem ‘Sequence Of Life’.įor every new track, there’s a lesser-heard classic, with tracks from μ-Ziq and Psyance leading up to the compilation’s heavier denouement. Instead, Woolford builds a mix that acts as a love letter to all the forms of club music that have fed into his sets and productions over the years. Opening with the warm gospel house of Alicia Myers’ ‘Right Here Right Now (John Morales M+M Remix)’ might feel like an anomaly, but it makes perfect sense when you consider that Woolford has a long history with house, dating back to his remixes for Murk and Liberty City.īuilding into the piano-laden cosmic disco of Melbourne artist Harvey Sutherland and Morgan Geist’s distinctive analogue synth funk, the mix takes a left turn with the mystic synth eddies, questing bassline and propellant electro beats of new Special Request track ‘Vellichor’ (a word meaning the strange wistfulness of visiting a used bookshop). ![]() ![]() Those expecting the tear-out Amen breaks of his most famous moniker will get them, but not till the end. All these styles and more feature on Special Request’s ‘DJ-KiCKS’ mix, which finds him also taking in the techno and house he’s reserved for projects and appearances under his own name. Albums like ‘Soul Music’ and ‘Zero Fucks’ for Houndstooth, and EPS such as ‘Modern Warfare’ for XL, found him focusing on roughneck jungle, but others, like ‘Bedroom Tapes’ and ‘Vortex’, have drawn on home-grown electro and golden- era Warp-style IDM for inspiration. Under his Special Request alias, Leeds DJ and producer Paul Woolford has specialised in exploring various manifestations of UK dance music. ![]()
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